Here it is. All those things that make you fall in love with books? Forget about ’em. How about what makes you walk away. Throw the book? Hide it in your closet to never be touched or read again? Here are some of my book turnoffs that have made me do just that. Continue reading “Book Turnoffs”
This came up while I was writing one of my book reviews because man is it a problem.
It comes around in books every once and awhile and…it’s disappointing. To make myself clear.
The second main type of character is the static character. Static characters are the opposite of dynamic; static characters do not change. The personality of that character when he/she is introduced is the same personality when the story comes to a close.
Yes static characters are there, they exist. You see them all the time as supporting characters, add-ins, etc. But please, do not make them the main character. Please. develop characters. Make them grow, have them change.
In essence; give them a freakin personality.
I never reviewed it, but the Born at Midnight series became a DNF thanks to the lack of change in the main character. I couldn’t bear it anymore. The story around her kept moving and she just didn’t grow, no maturing, no better actions. Same thoughts, same reactions = boring and predictable.
Honestly, that’s all I feel like saying about the topic, so
Until next time,
I thought there were only really two types of readers, binge and those weirdos that can take their time through a series. Seriously. How do you guys do it? If any of you are reading this please talk to me ’cause I am yet to meet any of you and you’re like unicorns to me.
Anyways, this post idea pops into my head so I google types of readers. Holy shit they’re endless! There’s monogamist, polygamist, ah never mind here’s the picture:
So many ways to read and interact with books! I love it! Imagine a little emoji with heart eyes please. And some happy tears. Nah, here ya go, Continue reading “What type of reader are you?”
Note: Transferred from previous account Meers2review
Writer’s Block. Some of the two most terrible words ever put together. Their meaning and what it does to me are probably one of the worst possible enemies too. To anybody who likes to write, this is problem we’re all going to experience or already have. And to those who haven’t yet? Your time will come. Continue reading “Writer’s Block”
This post was inspired by Daily Post’s word prompt Understanding
I feel like this is something that can be easy to forget. Whether you remember it’s happening or the book and its events sweep you away. But I want to take a step back into what’s behind the books. How a truly good book in any genre, will have much more for you than an entertaining story. It will give you more and leave you with a gift if only you know how to find it. This, is why books and writing are held so dear to me.
While going through the world of internet this past while, one of the posts I discovered was about writing and tips from famous others. I thought the quotes were neat, intriguing and very real. So I thought I would share them here for my fellow writers to take a look at.
1. Ernest Hemingway
2. Elmore Leonard
3. Anton Chekhov
For more continue to 30 Indispensable Writing Tips From Famous Authors privy of Buzzfeed.
Hope you enjoy, until next time,
This post is coming up thanks to my finishing Ugly Love because I could not stop thinking about how well Colleen Hoover made use of it in that book.
Parallelism is used for a grammar technique but also as a writing technique. And yes, today in my explanation, there is a difference. It’s also when two different situations parallel with each other, they’re similar and/or have the same motifs, ideas and/or meanings.
As an example I’ll use Ugly Love. Hoover wrote the book with one chapter in the present in Tate’s perspective and the following chapter in Miles’ perspective, the love interest. For me, what I loved was the parallelism between these two characters as they fell in love at completely different times in their lives and how it went for them. It was two worlds seamlessly combining together to form a better, more unique picture of love, loss and recovery. And I can’t forget when Hoover brought together two sides of the story (trying to avoid spoilers) into the same kind of recovery and characters returning to being whole as individuals.
In writing, as a result, I think it’s something key. It’s a way to get your readers involved, which is of course always the ultimate goal. In Ugly Love, I had moments where I literally sat back in my chair, head hanging backwards absorbing moments in the story I had just realized paralleled each other beautifully and heartbreakingly.